Ma'ta'ke Gods - История изменений

>Alberyk: /* Azubarre */

2023-10-04T23:22:38Z

Azubarre

← Предыдущая версия		Версия от 02:22, 5 октября 2023
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	===Azubarre===		===Azubarre===
	Azubarre is the first-born of Mata'ke and Marryam, and the husband of Dhrarmela, daughter of Druzhmail. He is the god of love, fertility, and marriage. He blesses all marriages, and to puts fire into the hearts of lovers in times of need. He is always shown with Njarir’Akhran features. His clothing is usually large flowing robes which have become the standard as priest's vestments, and he is usually carrying a burning torch. Despite the popular notion to change ~~species~~ of the gods after the revolution, Azubarre remains depicted as a Njarir and has become very unpopular in the PRA, taking on a negative role in their propaganda.		Azubarre is the first-born of Mata'ke and Marryam, and the husband of Dhrarmela, daughter of Druzhmail. He is the god of love, fertility, and marriage. He blesses all marriages, and to puts fire into the hearts of lovers in times of need. He is always shown with Njarir’Akhran features. His clothing is usually large flowing robes which have become the standard as priest's vestments, and he is usually carrying a burning torch. Despite the popular notion to change the ethnicity of the gods after the revolution, Azubarre remains depicted as a Njarir and has become very unpopular in the PRA, taking on a negative role in their propaganda.

	The priests of Azubarre are often adored and many aspire to become one, their large flowing robes and beautiful faces often accompany carnivals, marriages, birthdays, births, and many other social events making them the epitome of life. However, the selection for such priests is inaccessible to most, as only the most beautiful are allowed to join, which is very subjective. Despite common misconception, priests of Azubarre are chaste, having to learn to love for love’s sake and not being allowed a partner due to possible bias. A burning torch is frequently used by newlyweds or as a symbol of engagement.		The priests of Azubarre are often adored and many aspire to become one, their large flowing robes and beautiful faces often accompany carnivals, marriages, birthdays, births, and many other social events making them the epitome of life. However, the selection for such priests is inaccessible to most, as only the most beautiful are allowed to join, which is very subjective. Despite common misconception, priests of Azubarre are chaste, having to learn to love for love’s sake and not being allowed a partner due to possible bias. A burning torch is frequently used by newlyweds or as a symbol of engagement.

>Alberyk в 04:48, 5 ноября 2022

2022-11-05T04:48:51Z

← Предыдущая версия		Версия от 07:48, 5 ноября 2022
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	==Gods in the Ma'ta'ke Pantheon==		==Gods in the Ma'ta'ke Pantheon==
			[[File:Matakart.png\|300px\|thumb\|Paiting of Mata'ke and the Twin Suns.]]
	===Mata'ke===		===Mata'ke===
	Mata'ke himself is the head of the clan, and the god of snow, judgment, practicality, order, and strength. He is famous for his military cunning which he uses to command the clan of Gods to fend off the forces of Raskara. His main role in mythological and historical stories is usually one of the arbitrators, with many courts in the past invoking his name when resolving settlements. His most common depiction is that of a golden-furred M'sai, wearing thick Nav'twir furs held together by golden clasps. In the case of his battle regalia, over these furs, he wears a cuirass of iron with his feet and hands wrapped in thick leather. He wields a simple spear with an iron tip and keeps a silver-studded sword in a scabbard on his left side. Replacing traditional weapons with a rifle is a trend that emerged after the Gunpowder age. On his head he wears a visored helmet of similar material to his cuirass with a fabric coif underneath, however, most statues omit headwear. Mata'ke is commonly portrayed as a Zhan-Khazan by Zhan’s worshippers. Representations of the God as a Njarir’Akhran were widespread until the First Revolution		Mata'ke himself is the head of the clan, and the god of snow, judgment, practicality, order, and strength. He is famous for his military cunning which he uses to command the clan of Gods to fend off the forces of Raskara. His main role in mythological and historical stories is usually one of the arbitrators, with many courts in the past invoking his name when resolving settlements. His most common depiction is that of a golden-furred M'sai, wearing thick Nav'twir furs held together by golden clasps. In the case of his battle regalia, over these furs, he wears a cuirass of iron with his feet and hands wrapped in thick leather. He wields a simple spear with an iron tip and keeps a silver-studded sword in a scabbard on his left side. Replacing traditional weapons with a rifle is a trend that emerged after the Gunpowder age. On his head he wears a visored helmet of similar material to his cuirass with a fabric coif underneath, however, most statues omit headwear. Mata'ke is commonly portrayed as a Zhan-Khazan by Zhan’s worshippers. Representations of the God as a Njarir’Akhran were widespread until the First Revolution

>Alberyk: New God

2022-10-18T01:08:09Z

New God

← Предыдущая версия		Версия от 04:08, 18 октября 2022
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	Minharrzka is the Amohdan goddess of water in all forms. She is said to have been born from the blood of Fenskrringla pooling in the bile of Jogasorrmrr. It was only through the kind blood of Fenskrringla that Minharrzka was able to avoid being filled with hatred and rage like the 49 monsters that had also come from its body. For this, she was set upon by the worm’s monsters: Minharrzka’s body was torn apart and her head was separated from her shoulders by the horrible Raskara herself. After the great battle, Mata'ke had taken mercy on the mutilated but still living being. The goddess began to weep and begged to be lowered into what would become the seas of Adhomai. Her tears filled the oceans and rose to become the rain in the sky, falling downwards to fill lakes and rivers. Even when she closed her eyes to slumber, they continued to pour tears. The residual kindness of Fenskrringla, the hatred from Jogasorrmorr, and the trauma inflicted upon her at the hands of the worm’s children wreak havoc upon the crippled goddess' mind. Her mood swings from joy to pure rage cause the treacherous waves of Adhomai's seas. Her screams and cries create hurricanes and windstorms. Her thrashes cause earthquakes.		Minharrzka is the Amohdan goddess of water in all forms. She is said to have been born from the blood of Fenskrringla pooling in the bile of Jogasorrmrr. It was only through the kind blood of Fenskrringla that Minharrzka was able to avoid being filled with hatred and rage like the 49 monsters that had also come from its body. For this, she was set upon by the worm’s monsters: Minharrzka’s body was torn apart and her head was separated from her shoulders by the horrible Raskara herself. After the great battle, Mata'ke had taken mercy on the mutilated but still living being. The goddess began to weep and begged to be lowered into what would become the seas of Adhomai. Her tears filled the oceans and rose to become the rain in the sky, falling downwards to fill lakes and rivers. Even when she closed her eyes to slumber, they continued to pour tears. The residual kindness of Fenskrringla, the hatred from Jogasorrmorr, and the trauma inflicted upon her at the hands of the worm’s children wreak havoc upon the crippled goddess' mind. Her mood swings from joy to pure rage cause the treacherous waves of Adhomai's seas. Her screams and cries create hurricanes and windstorms. Her thrashes cause earthquakes.

	Minharrzka’s depiction is normally that of a torn apart Hharar sleeping beneath a shroud on an oily black stone pedestal on the seafloor. Her name is invoked and offerings are left at her altar when one wishes for safe travels, an impressive cargo haul, or for the weather to change. Some of her reverers wear necklaces of soft rope with a silver seashell charm. Her fanatics were well known across Adhomai's history as being fearless and dangerous sailors and warriors of the sea. Minharrzka’s priests are unsurprisingly seasoned wayfarers. They normally wear robes of dried bark over their clothes. These have geometric patterns painted upon them in dark colors. They eschew temples for simple altars of black stone at dockyards, fisheries, and vessels. Recent years have seen these altars spread to even Tajaran space vessels. Minharrzka priests are exclusively men. Many believe that when Minharrzka’s body is finished healing, she will awaken from her nightmare and rise to the surface world once more. There she will choose a husband from her priesthood; the pair will turn into vapor and rise to the sky to unify in godhood. As such, all priests of Minharrzka remain unmarried and strive towards perfection as a suitor.		Minharrzka’s depiction is normally that of a torn-apart Hharar sleeping beneath a shroud on an oily black stone pedestal on the seafloor. Her name is invoked and offerings are left at her altar when one wishes for safe travels, an impressive cargo haul, or for the weather to change. Some of her reverers wear necklaces of soft rope with a silver seashell charm. Her fanatics were well known across Adhomai's history as being fearless and dangerous sailors and warriors of the sea. Minharrzka’s priests are unsurprisingly seasoned wayfarers. They normally wear robes of dried bark over their clothes. These have geometric patterns painted upon them in dark colors. They eschew temples for simple altars of black stone at dockyards, fisheries, and vessels. Recent years have seen these altars spread to even Tajaran space vessels. Minharrzka priests are exclusively men. Many believe that when Minharrzka’s body is finished healing, she will awaken from her nightmare and rise to the surface world once more. There she will choose a husband from her priesthood; the pair will turn into vapor and rise to the sky to unify in godhood. As such, all priests of Minharrzka remain unmarried and strive towards perfection as a suitor.

	====Wrathful Waves====		====Wrathful Waves====

	A superstitious sailor's best friend on the seas is Minharrzka's sigil. shown as 2 wave lines and a dotted line beneath those the symbol depicts the torn body of the Goddess under the waves of the sea. Drawing this is believed to protect against the ill wishes of Adhomai's water. As such it is used on ships, worn by sailors, and commonly seen in shrines made for the Goddess. For smuggler crews, the symbol is still used in the hopes that her protection can apply to the void too.		A superstitious sailor's best friend on the seas is Minharrzka's sigil. shown as 2 wave lines and a dotted line beneath those the symbol depicts the torn body of the Goddess under the waves of the sea. Drawing this is believed to protect against the ill wishes of Adhomai's water. As such it is used on ships, worn by sailors, and commonly seen in shrines made for the Goddess. For smuggler crews, the symbol is still used in the hopes that her protection can apply to the void too.

			===Zhukamir===

			Zhukamir is the god of agriculture and cooking. Born from the first harvest in the Holy Village, this deity is believed to be the one who taught the Tajara the art of cuisine and brewing. He is responsible for preparing the feasts served for the Ascended Ones; his dishes are described as heavenly in the tales. To help him feed the Holy Village, he always carries a massive magic cauldron filled with a perpetual stew. Ma'take and his hunters are told to bring all kinds of creatures to be cooked in his pot. Zhukamir is commonly represented as a muscular Hharar or Zhan - since obesity, for most of the Adhomian history, has been associated with the nobility - dressed as a farmer or cook, carrying his mythical kettle on his hand or the back.

			Zhukamir is the patron god of farmers, innkeepers, brewers, and chefs. While he has no formal priesthood, it is not uncommon to find shrines dedicated to him in pubs, farms, and restaurants. Worshippers honor Zhukamir by pouring some of their drinks before his statues at the start of a meal. Some inns keep a forever soup in their establishment to praise Zhukamir. His worship was born in Southern Ras'nrr; it is found in its strongest form still in that region. Hadiist communal farms are the only rural communities known to not worship this deity in any way.

			====Ever-burning Cauldron====

			Based on the god's fabled pot, Zhukamir's symbol is a simply drawn cauldron. The ever-burning cauldron is carved on the entrance of kitchens, on the handle of farm tools, and on chef aprons. Due to the deity's relation with food, this sigil is also used as the unofficial motif of the Dholma Festival.

	{{Template:Navbox Tajara Lore}}		{{Template:Navbox Tajara Lore}}

>Sneakyranger: category: religions

2022-07-16T02:06:58Z

category: religions

← Предыдущая версия		Версия от 05:06, 16 июля 2022
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	[[Category:Tajara]]		[[Category:Tajara]]
	[[Category:Mythology]]		[[Category:Mythology]]
			[[Category: Religions]]

>Triogenix в 23:54, 18 февраля 2022

2022-02-18T23:54:11Z

← Предыдущая версия		Версия от 02:54, 19 февраля 2022
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	{{Navbox Lore}}		{{Navbox Lore}}
	[[Category:Tajara]]		[[Category:Tajara]]
			[[Category:Mythology]]

>Alberyk: /* Shumaila and How She Met Her Husband */

2022-01-31T03:42:00Z

Shumaila and How She Met Her Husband

← Предыдущая версия		Версия от 06:42, 31 января 2022
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	“The circlets are in these two jars,” he exclaimed confidently.		“The circlets are in these two jars,” he exclaimed confidently.
	“Liar,” said Shumaila calmly and sternly.		“Liar,” said Shumaila calmly and sternly.
	At this Arrkhan twitched his ~~whiskers~~, “Oh? How would she know unless she went to check? He knows she didn’t after all Marryam distracted her all day; he made sure of that.”		At this Arrkhan twitched his ears, “Oh? How would she know unless she went to check? He knows she didn’t after all Marryam distracted her all day; he made sure of that.”
	Shumaila flicked her ear in annoyance as she shot a stern look at Marryam, who simply responded with a smile, yet she knew his lie would be apparent and so Shumaila rose and walked to the jars.		Shumaila flicked her ear in annoyance as she shot a stern look at Marryam, who simply responded with a smile, yet she knew his lie would be apparent and so Shumaila rose and walked to the jars.
	As she walked up, Arrkhan began to speak again.		As she walked up, Arrkhan began to speak again.

>Alberyk: god symbols

2021-12-26T20:47:54Z

god symbols

← Предыдущая версия		Версия от 23:47, 26 декабря 2021
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	Mata'ke himself is the head of the clan, and the god of snow, judgment, practicality, order, and strength. He is famous for his military cunning which he uses to command the clan of Gods to fend off the forces of Raskara. His main role in mythological and historical stories is usually one of the arbitrators, with many courts in the past invoking his name when resolving settlements. His most common depiction is that of a golden-furred M'sai, wearing thick Nav'twir furs held together by golden clasps. In the case of his battle regalia, over these furs, he wears a cuirass of iron with his feet and hands wrapped in thick leather. He wields a simple spear with an iron tip and keeps a silver-studded sword in a scabbard on his left side. Replacing traditional weapons with a rifle is a trend that emerged after the Gunpowder age. On his head he wears a visored helmet of similar material to his cuirass with a fabric coif underneath, however, most statues omit headwear. Mata'ke is commonly portrayed as a Zhan-Khazan by Zhan’s worshippers. Representations of the God as a Njarir’Akhran were widespread until the First Revolution		Mata'ke himself is the head of the clan, and the god of snow, judgment, practicality, order, and strength. He is famous for his military cunning which he uses to command the clan of Gods to fend off the forces of Raskara. His main role in mythological and historical stories is usually one of the arbitrators, with many courts in the past invoking his name when resolving settlements. His most common depiction is that of a golden-furred M'sai, wearing thick Nav'twir furs held together by golden clasps. In the case of his battle regalia, over these furs, he wears a cuirass of iron with his feet and hands wrapped in thick leather. He wields a simple spear with an iron tip and keeps a silver-studded sword in a scabbard on his left side. Replacing traditional weapons with a rifle is a trend that emerged after the Gunpowder age. On his head he wears a visored helmet of similar material to his cuirass with a fabric coif underneath, however, most statues omit headwear. Mata'ke is commonly portrayed as a Zhan-Khazan by Zhan’s worshippers. Representations of the God as a Njarir’Akhran were widespread until the First Revolution

	The priesthood of Mata’ke is comprised of only male hunters, making it somewhat exclusive. Like their patron, all priests of Mata’ke must prove that they are capable, strong, masters of Adhomai wilderness, and wise. Every temple of ~~Mata’ke~~ has a different way of testing its applicants and these tests are always kept as a strict secret. The only known part is that a large number of applicants fail and many never return. After they’re accepted, priests of ~~Mata’ke~~ dress in furs and carry silver weapons, usually daggers for ease of transport and to emulate Mata’ke’s sword. There is a remarkably low amount of Njarir’Akhran in the Mata’ke priesthood.		The priesthood of Mata’ke is comprised of only male hunters, making it somewhat exclusive. Like their patron, all priests of Mata’ke must prove that they are capable, strong, masters of Adhomai wilderness, and wise. Every temple of Mata'ke has a different way of testing its applicants and these tests are always kept as a strict secret. The only known part is that a large number of applicants fail and many never return. After they’re accepted, priests of Mata'ke dress in furs and carry silver weapons, usually daggers for ease of transport and to emulate Mata’ke’s sword. There is a remarkably low amount of Njarir’Akhran in the Mata’ke priesthood.

			====Spearhead of Mata'ke====

			Considered the sigil of the head of the pantheon, the spearhead was used in the coat of arms and crowns of old royalty to symbolize their right to rule. It is associated with martial might and leadership. Politicians wear pins of the spearhead and hunters or soldiers alike carve it onto their weaponry.

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	The priests of Mata’ke are not forced to remain chaste, in fact, they’re encouraged to marry an equally pious wife so that she might become a priestess of Marryam. Not every priestess of Marryam is a wife of a Mata’ke priest but all are married. They often serve in a variety of important roles such as midwives, nurses, and teachers and have done so throughout history. Their dress code is rarely enforced, but they can be easily spotted by their long-braided hair usually full of flowers even in the coldest winters, these flowers are usually made of precious metals but in recent times plastic is more common.		The priests of Mata’ke are not forced to remain chaste, in fact, they’re encouraged to marry an equally pious wife so that she might become a priestess of Marryam. Not every priestess of Marryam is a wife of a Mata’ke priest but all are married. They often serve in a variety of important roles such as midwives, nurses, and teachers and have done so throughout history. Their dress code is rarely enforced, but they can be easily spotted by their long-braided hair usually full of flowers even in the coldest winters, these flowers are usually made of precious metals but in recent times plastic is more common.

			====Marryam's Poppy====

			Though it is called a poppy the designs of this symbol vary heavily in what flower they represent. The Goddess' symbol is associated with protection and femininity. When the IAC had arrived in Adhomai following the First Revolution they had hung banners depicting it in their field hospitals, causing a trend of the flowers appearing in hospitals and among medical workers. Now it is considered a symbol of medical aid as well.

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	Rredounae does not recognize a priesthood. Rredounae is considered too prideful to ever acknowledge a worshipper, although many still try. In all stories, serving Rredouane always leads towards a glorious doom, as he refuses to impart permanent blessings. Thus, Rredouane is more of a household deity and an icon to be invoked; small amulets, talismans, fetishes, and status are fashioned of him. They are particularly popular in casinos, taverns, pubs, and gambling dens. The city of Crevus in particular considers Rredounae their patron deity, building a giant statue to greet all who approach the city in his honor.		Rredounae does not recognize a priesthood. Rredounae is considered too prideful to ever acknowledge a worshipper, although many still try. In all stories, serving Rredouane always leads towards a glorious doom, as he refuses to impart permanent blessings. Thus, Rredouane is more of a household deity and an icon to be invoked; small amulets, talismans, fetishes, and status are fashioned of him. They are particularly popular in casinos, taverns, pubs, and gambling dens. The city of Crevus in particular considers Rredounae their patron deity, building a giant statue to greet all who approach the city in his honor.

			====Dice and Blade====

			Rredouane's symbol highlights his dual nature as the God of gambling and a God of warriors. The die is excluded for those who pay respect to him only in the aspects of valor and victory such as the Rock nomads. For gambling houses and Crevans the blade is replaced with another die to symbolize his gambler side. Crevan fighters don a variation with a goblet and blade for luck in carousing and combat both. Crevan ALA fighters disseminated the symbol to others during the Second Revolution.

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	The Shumaila priesthood and worshippers can be easily identified by the wide belt with a golden buckle around their waist. The buckle is engraved with an image of a hammer and mirrors that of the goddess. Likewise, like her goddess, all priests of Shumaila remain chaste. Her symbol is frequently found on buildings and gates. You’ll be hard-pressed to find a construction worker on Adhomai who does not reserve a prayer to Shumaila, even if they’re not of Ma’ta’ke faith.		The Shumaila priesthood and worshippers can be easily identified by the wide belt with a golden buckle around their waist. The buckle is engraved with an image of a hammer and mirrors that of the goddess. Likewise, like her goddess, all priests of Shumaila remain chaste. Her symbol is frequently found on buildings and gates. You’ll be hard-pressed to find a construction worker on Adhomai who does not reserve a prayer to Shumaila, even if they’re not of Ma’ta’ke faith.

			====Shumaila's Bulwark====

			The hammer of Shumaila is used by her priesthood, followers, and even superstitious non-believers. It is believed that the hammer being carved onto buildings will make them sturdier and stronger. As such it is common to see the design when one looks close enough to a city block on Adhomai. Curiously, Tajara who received augmentation will sometimes have this symbol etched onto their prosthetics in hopes of a similar effect.

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	Kraszar enjoys less of priesthood and more of an academy, being the only god with an actual central building in the Mata’ke pantheon. The Kraszar Library is perhaps the greatest collection of knowledge on Adhomai, and the headquarters of the priesthood. The librarians, still carry the name of Kraszarrumalkarii even if it isn’t their official title and bridge both science and religion. The library is open 24/7 and doesn’t require any kind of membership as knowledge is to be shared, although nowadays most books are kept behind glass cases due to the extensive damage to some volumes.		Kraszar enjoys less of priesthood and more of an academy, being the only god with an actual central building in the Mata’ke pantheon. The Kraszar Library is perhaps the greatest collection of knowledge on Adhomai, and the headquarters of the priesthood. The librarians, still carry the name of Kraszarrumalkarii even if it isn’t their official title and bridge both science and religion. The library is open 24/7 and doesn’t require any kind of membership as knowledge is to be shared, although nowadays most books are kept behind glass cases due to the extensive damage to some volumes.

			====Scroll of Ages====

			Usually depicted as a symbol tied with a ribbon or sealed with wax. The scroll is that of Kraszar's and is considered a symbol of knowledge. Publication houses, universities, and libraries tend to use it on their logos or have it etched onto signage. The seal or ribbon sometimes will have a nation's flag put onto it.

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	Her priests are required to be skilled in some craft, although blacksmithing is preferred. And while not every blacksmith is a worshipper, most blacksmiths give some part of reverence to this goddess of craft. Her popularity skyrocketed during the Industrial age and paved the way for female Tajara into factories, becoming a symbol of the working class. Her priests and priestesses wear regular work clothes with golden lining and threading to differentiate them from regular laborers.		Her priests are required to be skilled in some craft, although blacksmithing is preferred. And while not every blacksmith is a worshipper, most blacksmiths give some part of reverence to this goddess of craft. Her popularity skyrocketed during the Industrial age and paved the way for female Tajara into factories, becoming a symbol of the working class. Her priests and priestesses wear regular work clothes with golden lining and threading to differentiate them from regular laborers.

			====Divinity Anvil====

			The symbol of Dharmela is a simple one, befitting for the Goddess. It is the outline of an anvil and nothing more. The Divinity Anvil has always been worn or incorporated into the signage of tradesmen who wish to present themselves as someone worthy of bearing it. With the advent of factories and the rise of the working class following industrialization, the Divinity Anvil now is associated with protecting from work hazards and giving one the energy to withstand a long workday. Early Hadiist propaganda used the symbol heavily in the First Revolution.

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	The priests of Azubarre are often adored and many aspire to become one, their large flowing robes and beautiful faces often accompany carnivals, marriages, birthdays, births, and many other social events making them the epitome of life. However, the selection for such priests is inaccessible to most, as only the most beautiful are allowed to join, which is very subjective. Despite common misconception, priests of Azubarre are chaste, having to learn to love for love’s sake and not being allowed a partner due to possible bias. A burning torch is frequently used by newlyweds or as a symbol of engagement.		The priests of Azubarre are often adored and many aspire to become one, their large flowing robes and beautiful faces often accompany carnivals, marriages, birthdays, births, and many other social events making them the epitome of life. However, the selection for such priests is inaccessible to most, as only the most beautiful are allowed to join, which is very subjective. Despite common misconception, priests of Azubarre are chaste, having to learn to love for love’s sake and not being allowed a partner due to possible bias. A burning torch is frequently used by newlyweds or as a symbol of engagement.

			====Torch of Passion====

			Azubarre's nature as a sometimes misinterpreted God of love led to his torch having many uses. Sometimes it is put up onto clubs and houses of ill repute, sometimes it is used by newlyweds to symbolize their devotion to each other, sometimes it is painted on barns and coops in the hope of making the animals inside more fertile. Priests maintain that the torch should only be a physical manifestation and not a drawn one, so they and pious Ma'ta'ke followers both refuse to use a drawn symbol.

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	Minharrzka’s depiction is normally that of a torn apart Hharar sleeping beneath a shroud on an oily black stone pedestal on the seafloor. Her name is invoked and offerings are left at her altar when one wishes for safe travels, an impressive cargo haul, or for the weather to change. Some of her reverers wear necklaces of soft rope with a silver seashell charm. Her fanatics were well known across Adhomai's history as being fearless and dangerous sailors and warriors of the sea. Minharrzka’s priests are unsurprisingly seasoned wayfarers. They normally wear robes of dried bark over their clothes. These have geometric patterns painted upon them in dark colors. They eschew temples for simple altars of black stone at dockyards, fisheries, and vessels. Recent years have seen these altars spread to even Tajaran space vessels. Minharrzka priests are exclusively men. Many believe that when Minharrzka’s body is finished healing, she will awaken from her nightmare and rise to the surface world once more. There she will choose a husband from her priesthood; the pair will turn into vapor and rise to the sky to unify in godhood. As such, all priests of Minharrzka remain unmarried and strive towards perfection as a suitor.		Minharrzka’s depiction is normally that of a torn apart Hharar sleeping beneath a shroud on an oily black stone pedestal on the seafloor. Her name is invoked and offerings are left at her altar when one wishes for safe travels, an impressive cargo haul, or for the weather to change. Some of her reverers wear necklaces of soft rope with a silver seashell charm. Her fanatics were well known across Adhomai's history as being fearless and dangerous sailors and warriors of the sea. Minharrzka’s priests are unsurprisingly seasoned wayfarers. They normally wear robes of dried bark over their clothes. These have geometric patterns painted upon them in dark colors. They eschew temples for simple altars of black stone at dockyards, fisheries, and vessels. Recent years have seen these altars spread to even Tajaran space vessels. Minharrzka priests are exclusively men. Many believe that when Minharrzka’s body is finished healing, she will awaken from her nightmare and rise to the surface world once more. There she will choose a husband from her priesthood; the pair will turn into vapor and rise to the sky to unify in godhood. As such, all priests of Minharrzka remain unmarried and strive towards perfection as a suitor.

			====Wrathful Waves====

			A superstitious sailor's best friend on the seas is Minharrzka's sigil. shown as 2 wave lines and a dotted line beneath those the symbol depicts the torn body of the Goddess under the waves of the sea. Drawing this is believed to protect against the ill wishes of Adhomai's water. As such it is used on ships, worn by sailors, and commonly seen in shrines made for the Goddess. For smuggler crews, the symbol is still used in the hopes that her protection can apply to the void too.

	{{Template:Navbox Tajara Lore}}		{{Template:Navbox Tajara Lore}}
	{{Navbox Lore}}		{{Navbox Lore}}
	[[Category:Tajara]]		[[Category:Tajara]]

>Alberyk в 20:26, 4 октября 2021

2021-10-04T20:26:29Z

Внесённые изменения

>Coalf: /* Kraszar */

2021-05-14T15:45:55Z

Kraszar

← Предыдущая версия		Версия от 18:45, 14 мая 2021
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	Kraszar is a comrade to Mata'ke, and the son of Druzhmail. He is the god of joy, stories, and language. He is always shown as a Hharar wearing thick robes with a bag of scrolls and a walking staff. He is attributed as the creator of the Cosmic Chronicle, a holy story that details most of the religion's history and theology. In the past, before writing and literacy became common, Kraszarrumalkarii (storytellers) would deliver all stories orally from memory. Nowadays he is most popular with students shortly before an exam.		Kraszar is a comrade to Mata'ke, and the son of Druzhmail. He is the god of joy, stories, and language. He is always shown as a Hharar wearing thick robes with a bag of scrolls and a walking staff. He is attributed as the creator of the Cosmic Chronicle, a holy story that details most of the religion's history and theology. In the past, before writing and literacy became common, Kraszarrumalkarii (storytellers) would deliver all stories orally from memory. Nowadays he is most popular with students shortly before an exam.

	Kraszar enjoys less of priesthood and more of an academy, being the only god with an actual central building in the Mata’ke pantheon. The Kraszar Library is perhaps the greatest collection of knowledge on Adhomai, and the headquarters of the priesthood. The librarians, still carry the name of Kraszarrumalkarii even if it isn’t their official title and bridge both science and religion. The library is open 24/7 and doesn’t require any kind of membership as knowledge is to be shared, although nowadays most books are kept behind glass cases due to the extensive damage to some volumes. ~~To rea~~		Kraszar enjoys less of priesthood and more of an academy, being the only god with an actual central building in the Mata’ke pantheon. The Kraszar Library is perhaps the greatest collection of knowledge on Adhomai, and the headquarters of the priesthood. The librarians, still carry the name of Kraszarrumalkarii even if it isn’t their official title and bridge both science and religion. The library is open 24/7 and doesn’t require any kind of membership as knowledge is to be shared, although nowadays most books are kept behind glass cases due to the extensive damage to some volumes.

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>Coalf: Big rework

2021-05-13T15:41:26Z

Big rework

Внесённые изменения